| 00:00:13 | We were in the former mental ward of fort
chaffee,
where the mentally ill were housed.
|
| 00:00:19 | The most violent patients were kept in prison
cells,
and we believe it is with these spirits
we've been communicating the past few hours.
|
| 00:00:33 | You speaking to us?
|
| 00:00:35 | (Aaron) I SWEAR TO GOD,I FEEL LIKE I'M ON
Fire
now I'm gonna panic a little
bit,
and I want to see if they can panic back.
|
| 00:00:43 | "
what you are about to hear is an intelligent
response
that lends to more validity of spirits and
the living
coexisting in one world, seeing the same
things
in the same exact moment.
|
| 00:00:56 | Now I want to see if they can panic back.
|
| 00:00:59 | "
(gate buzzes)
..
|
| 00:01:11 | That sounds like we're really getting locked
in, man. we are.
|
| 00:01:15 | All right, so right now it's 1:00 a.m.
|
| 00:01:16 | We're getting our second part of our lockdown.
|
| 00:01:19 | Lynn, the prison guardthat we interviewed
earlier,
all about the cuban refugees-- you say the
bad ones
..correct.
|
| 00:01:27 | And all the stories he told us happened
within these four fences.
|
| 00:01:31 | Not only that, but we're gonna use you in
this investigation,
hopefully, to try and lure some of the spirits--
bad spirits out and hopefully communicate
with us.
|
| 00:01:40 | We're then gonna take our digital recorders
with lynn and we're gonna come right over
here,
and we've allowed billy
who is our "ghost adventures" crew e.v.p.
|
| 00:01:48 | Analyst,
but this time we brought himhere live, so
that he can review
dio footage with lynn,
and if we do capture any voices, we're all
gonna hear them
right here on the spot within minutes.
|
| 00:02:02 | Our first stop with lynn
was the general population building.
|
| 00:02:07 | Was this all open like this?
|
| 00:02:12 | Ust had beds?
|
| 00:02:20 | 150 Guys in here? yeah.
|
| 00:02:23 | Now you were the guy that was here,
so if there were stabbings and stuff-- oh,
yeah, yeah.
|
| 00:02:28 | A lot? a lot.
|
| 00:02:29 | A lot of violence? a lot of violence there.
|
| 00:02:35 | yeah,
right.
|
| 00:02:54 | Mm-hmm.
|
| 00:02:56 | Did more of them live down here than upstairs,
though?
|
| 00:03:00 | analysis to you
in real time
when we return to base camp in just a moment.
|
| 00:03:08 | Is there anybody in here with us that wishes
to communicate with us?
|
| 00:03:14 | They just spoke regularspanish, right?
|
| 00:03:18 | I know one. ¿¿como te llamas, y tu?
|
| 00:03:21 | "
no, that's--that's "what's your name?" oh.
|
| 00:03:27 | WHAT'S YOUR NAME? (laughs) I TRY.
|
| 00:03:30 | Did any of themspeak english? yeah.
|
| 00:03:34 | Some of them did?
|
| 00:03:38 | You want to go upstairs, check it out?
|
| 00:03:40 | All right, e.v.p. session-- general pop.
|
| 00:03:43 | Over here at the prison, cuban refugee camp.
|
| 00:03:47 | Whatever. so--what?
|
| 00:03:53 | Anybody here? come and speak to us.
|
| 00:03:56 | ¿¿Habla ingles? ¿¿habla español?
|
| 00:03:59 | Is this thecasa de infierno?
|
| 00:04:03 | Is this the house of hell?
|
| 00:04:05 | I want to see the demon that possessed the
cuban.
|
| 00:04:08 | They were trying to hold him down.
|
| 00:04:10 | Like he had just some type of super energy.
|
| 00:04:12 | Do you want to say something to lynn here,
the prison guard?
|
| 00:04:20 | Did you not like h
did you get into a fight with him?
|
| 00:04:25 | (speaking Spanish)
All right, let's go over right now.
|
| 00:04:32 | We did two different sessions on this--
one downstairs, one upstairs.
|
| 00:04:35 | But we will see we captured anything at all
on these two folders.
|
| 00:04:41 | We brought the digital recorder back to base
camp,
and 20 minutes later, billy had analyzed
the audio
and discovered something shocking.
|
| 00:04:52 | You've seen a guy hang himselfright in this
one, right? correct.
|
| 00:04:57 | Richard, do you remembyou down.
|
| 00:05:00 | that's exactly what
it says.
|
| 00:05:03 | OH! (laughs) OH, THEY LIKED YOU, ZAK!
|
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|
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|
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|
| 00:06:00 | Wow, first guess!
|
| 00:06:00 | Nailed it.
|
| 00:06:02 | Oh, you're psychic!
|
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|
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| 00:08:15 | We've investigatedthe general population
building
where violent cuban refugees were held in
1980.
|
| 00:08:22 | Lynn, a former prison guard here,
has assisted us.
|
| 00:08:26 | We've just returned to the warden's office
expert billy tolley will play
back
now what did you
find, billy?
|
| 00:08:35 | that sounds like it says,
"
(Zak) DID MORE OF THEM LIVE DOWN HERE THAN
Upstairs?
|
| 00:08:44 | "Get on the bed"?
|
| 00:08:45 | Those areas that we were,those were all lined
with beds? all beds.
|
| 00:08:49 | They were? yeah, all beds.
|
| 00:08:54 | Can you hear that?
|
| 00:08:55 | You can see that this right here, lynn,
it has its own frequency.
|
| 00:09:02 | And we have allthe video footage to show
you
with lynn there as a witness that nnyone
of us said,
"
did more of them live down here than upstairs,
the
.
|
| 00:09:20 | You know you were talking about that gang
leader,
and you were talking about his punk, his
bitch.right, right.
|
| 00:09:25 | we were talking about that right before
this e.v.p.
|
| 00:09:29 | We're taking richard's punk to the hole,
so is this maybe something
he would've told his punk or his bitch,
richard, he kind of spoke,you
know, broken english.
|
| 00:09:42 | He did?yeah.
|
| 00:09:44 | Listen to this voice.
|
| 00:09:47 | (distorted voice)
You hear anything?what was that?
|
| 00:09:54 | DIFFEREN LANGUAGE? (distorted voice)
Back it up a little bit, will you?
|
| 00:09:58 | See where the hell we were, what we were
doing.
|
| 00:10:01 | General block over here at the prison.
|
| 00:10:06 | Cuban refugee camp,whatever.
|
| 00:10:08 | YEAH, THERE IT IS. (distorted voice)
What?what the hell?
|
| 00:10:13 | It wasn't you, though. no.
|
| 00:10:15 | I didn't say that.i laughed afterwards.
|
| 00:10:17 | Listen to this right here.
|
| 00:10:19 | (distorted voice)
Papi? papi? "cafe".
|
| 00:10:24 | (distorted voice)
I think it was
"
I'll tell you what, these weresome coffee-drinking
(beep).
|
| 00:10:31 | Were they?oh, god.
|
| 00:10:32 | Yeah, the stronger, the sweeter.
|
| 00:10:34 | What would they say-- how would they say
"coffee"?
|
| 00:10:37 | Like "coffee" was-- "cafe"?
|
| 00:10:39 | Yeah, it wasmore like "cafe." play that again.
|
| 00:10:43 | What?
|
| 00:10:47 | Yeah! coffee, cafe.
|
| 00:10:51 | NO. THAT'S HOW E.V.P.s ARE CAPTURED.
|
| 00:10:53 | They're just speaking on a different frequency,
a different wavelength than us,
but somehow these microphones capture that.
|
| 00:10:59 | Because we were having such success with
lynn,
we decided to take him intothe maximum security
building,
which he has also converted
into a haunted house for halloween,
and we had made sure that all of the power
was off.
|
| 00:11:12 | You've seen a guy hang himselfright in this
one, right?
|
| 00:11:15 | You think that a guy like you would never
want to come back
and look at this place again from all those
memories,
and now you've come back
and turned it into a haunted place.
|
| 00:11:27 | you know, after a
while,
it's bad that you get used to something.
|
| 00:11:33 | YOU DO, HUH? BUT I KNOW I COULDN'T... (speaking
indistinctly)
Well, you're doing it with us right now.
|
| 00:11:37 | Yeah.
|
| 00:11:39 | Is there anybody in this building
at all that wishes to speak?
|
| 00:11:45 | Richard, why'd you hang yourself?
|
| 00:11:49 | Richard, do you remember? I cut you down.
|
| 00:11:57 | Just a stomach growl.
|
| 00:11:59 | (coughs)
What is that? don't hear anything.
|
| 00:12:07 | Coming from in here.
|
| 00:12:08 | Come here. get close to this.
|
| 00:12:14 | ..
|
| 00:12:16 | I don't hear anything. you don't hear that?
|
| 00:12:20 | Jesus.
|
| 00:12:24 | I just want to mark that I heard something
come from inside this cell,
and that if it's captured on this digital
recorder,
then that's what I heard.
|
| 00:12:32 | We headed back to base camp to review our
audio,
and what we were about to listen to
was going to make lynn question whether he
would ever
step foot inside this building alone again.
|
| 00:12:40 | I see where you're at here.
|
| 00:12:46 | Come on.
|
| 00:12:47 | And then "stomach growl." stomach growl.
|
| 00:12:49 | HE SAID "STOMACH GROWL." (coughs)
(rustle) OKAY, YOU HEAR IT RIGHT THERE?
|
| 00:12:55 | That's regular-- "get out"?
|
| 00:12:59 | I can still hear it. still hear it.
|
| 00:13:01 | Yeah, you can see the-- wavelength, right.
|
| 00:13:03 | Now he's enhancing the volume.
|
| 00:13:04 | I'm just bringing the volume up on it. yeah.
|
| 00:13:08 | (coughs)
(laughter)
Exactly. that's what we go for.
|
| 00:13:27 | That's like a treasure hunter going out
and finding some gold coins.right.
|
| 00:13:31 | WHAT IS THIS RIGHT HERE? rted voice)
THAT'S A VOICE. (distorted voice)
HOLY (bleep) WHERE WAS THIS AT?
|
| 00:13:40 | I don't hear that. you don't hear that?
|
| 00:13:44 | Jesus.
|
| 00:13:46 | (garbled static)
"
WHOA, WHOA, WHOA. (distorted voice)
Is that what I think it's saying? what?
|
| 00:14:04 | (Aaron) I THINKIT'S SWEARING. YEAH, YEAH.
|
| 00:14:15 | that's exactly what
it says.
|
| 00:14:17 | "I'm hot in this building," and it's here
to "eff" you.
|
| 00:14:19 | Oh! wow, they like you, zak. they like you.
|
| 00:14:24 | you know what's neat about that
is that they mention it's hot, and it is
hot.
|
| 00:14:30 | You know, they didn't say, "it's cold in
"
"it's hot in here." mm-hmm.
|
| 00:14:33 | Okay, lynn, do you see that place as the
same place now?
|
| 00:14:44 | (laughter)
which validates
that
your place is not only haunted,
but it's very personal, very intelligent,
and to me, from this sound, very dark.
|
| 00:14:58 | You, my friend, you don't need this.
|
| 00:15:03 | (laughs)
YOU HAVE THE REAL (bleep) HERE.
|
| 00:15:06 | Fort chaffee was built to train men for violence,
and before long, it incarcerated thousands
who perpetrated it.
|
| 00:15:17 | These buildings may look abandoned,
but they are very much inhabited
by the spirits who once dwelled here.
|
| 00:15:25 | tti
cut you down.
|
| 00:15:27 | army may deny their existence,
but that wouldn't stop us from uncovering
the truth.
|
| 00:15:34 | Is this the house of hell?
|
| 00:16:13 | Ou in a gang here in east los angeles?
|
| 00:16:14 | No, no, no, no, no, no, no, no.
|
| 00:16:16 | What? what? what?
|
| 00:16:17 | It's creepy in east l.a. at night.
|
| 00:16:18 | Oh, my god! oh, my god!
|
| 00:16:20 | We're in the hospital of hell.
|
| 00:16:23 | What the hell was that?
|
| 00:16:25 | Do you want to do something to me?
|
| 00:16:29 | Aah!
|
| 00:16:31 | Zak: My name is zak bagans.
|
| 00:16:34 | I never believed in ghosts
until I came face-to-face with one,
so I set out on a quest
to capture what I once saw onto video.
|
| 00:16:42 | Is there anybody here?
|
| 00:16:44 | [ Bang ] oh, god.
|
| 00:16:45 | With no big camera crews following us around,
I am joined only by myfellow investigator
nick groff
and our equipment tech, aaron goodwin.
|
| 00:16:54 | The three of us will travel
to some of the most highly active paranormal
locations,
where we will spend an entire night
being locked down from dusk until dawn.
|
| 00:17:04 | If this is the portal to hell,
why don't you come up out of that ground
and get us?
|
| 00:17:10 | Raw.
|
| 00:17:11 | Did someone just scratch me?
|
| 00:17:12 | Extreme.
|
| 00:17:13 | [Bleep]
[ grunts ]
[bleep] stop running!
|
| 00:17:16 | These are our ghost adventures.
|
| 00:17:18 | --Captions by VITAC--www.vitac.com
Captions paid for by the travel channel,
l.l.c.
|
| 00:17:22 | Hospitals are for the sick and dying.
|
| 00:17:25 | For many, these places were the last stop
on the way to the morgue.
|
| 00:17:32 | And that looks like a bone.
|
| 00:17:34 | They still have human ash in here?
|
| 00:17:35 | When you consider the rough east los angeles
neighborhood
..
|
| 00:17:42 | [ Gunshots ]
...it's no surprisethat it had a heavy death
toll.
|
| 00:17:45 | And maybe that can explainwhy this building
is said to be
one of the most haunted locations
in the entire los angeles area.
|
| 00:17:52 | So, this isa rougher part of town.
|
| 00:17:54 | I think we're pretty close to compton.
|
| 00:17:59 | IN THE 1970s AND '80s, GANGS MOVED INTO THE
Region,
bringing in a steady stream of gunshot wounds,
stabbings, beatings, and other senseless
acts,
leaving thousands dead inthe linda vista
emergency room.
|
| 00:18:13 | We're here to investigatecountless claims
of apparitions,
disembodied screams and voices,physical attacks
by dark forces.
|
| 00:18:23 | But that's not all.
|
| 00:18:24 | We're also gonna hear the actual terrifying
encounters
from theouths that screamed
from whatever lurks inside this old building.
|
| 00:18:38 | We've never investigated an actual hospital.
|
| 00:18:42 | This place is, like,truly the hospital of
horrors.
|
| 00:18:46 | Not only by the interior andhow it looks
cosmetically --
but the old stuff laying around.
|
| 00:18:52 | Old patient records.
|
| 00:18:53 | They're just laying around all over the hospital.
|
| 00:18:56 | So, this is really, like, they just picked
up and just left.
|
| 00:18:59 | Basically, it looks likethey just abandoned
the place.
|
| 00:19:02 | A lot of people diedright before it closed.
|
| 00:19:04 | It might have be oneof the reasons that it
closed.
|
| 00:19:06 | The rumor is that the hospital had so many
lawsuits
because of deaths here,
so basically, they just shut her down.
|
| 00:19:14 | It's simple operations that were just done
improperly.
|
| 00:19:19 | Really?
|
| 00:19:19 | That is a trueecipefor a lot of trapped souls.
|
| 00:19:27 | "
that's just the basement.
|
| 00:19:29 | "X" marks the spot.
|
| 00:19:31 | I don't like this area.
|
| 00:19:34 | It may be desperation,
it may be the end-of-all-end kind of feeling.
|
| 00:19:39 | Like the tunnel to hell
as you're passing an incubator and some cages.
|
| 00:19:43 | Yeah, I can see why this would be uncomforting,
syd.
|
| 00:19:47 | Yeah.
|
| 00:19:53 | Oh, my god.
|
| 00:19:54 | This is the incinerator.
|
| 00:19:55 | That's what I mean --the final -- the end
of all end.
|
| 00:19:59 | Your body's now destroyed.
|
| 00:20:02 | Yeah, this room is just --
I just feel like I don't even want to talk.
|
| 00:20:07 | It's just, like, draining in here.
|
| 00:20:09 | DO YOU FEEL THAT? Aaron: Yeah.
|
| 00:20:11 | It's weird, 'cause sometimes you'll get that,
syd.
|
| 00:20:13 | Like, when we do locations,
you'll just get those symbolic flash images
--
like the energy thatused to be here will
flash in.
|
| 00:20:20 | You'll just sense and pick something up.
|
| 00:20:24 | Ashes.
|
| 00:20:25 | That's where the ashes come.
|
| 00:20:28 | Whoa. what?
|
| 00:20:28 | That's where the ashes would come out.
|
| 00:20:30 | Why is there still ash in here?
|
| 00:20:32 | I mean, to me, it does look like there may
be some remnants
of bone chips or something.
|
| 00:20:37 | Oh, man.
|
| 00:20:38 | I'm not sure, but there are white pieces
in there.
|
| 00:20:40 | Did I just put my hand in human ash?
|
| 00:20:43 | Look at the white fragments in there, too.
|
| 00:20:50 | Oh, my god, dude.
|
| 00:20:52 | That looks like a [bleep] tooth or, like,
a bone fragment.
|
| 00:20:56 | They still have human ash in here?
|
| 00:20:58 | A lot of times, people would come in, be
jane does.
|
| 00:21:01 | What do you do with jane does or john does?
|
| 00:21:04 | You burn themand forget about their dust.
|
| 00:21:06 | Mm-hmm.that's improper.
|
| 00:21:07 | There's a reason why thishospital came to
an end so fast.
|
| 00:21:12 | I feel like I have to give amoment of silence
or something.
|
| 00:21:20 | [ Sighs ]
let's go find some soap, okay?
|
| 00:21:23 | Or do you have hand sanitizer?
|
| 00:21:28 | All right.
|
| 00:21:28 | I've gone a little too deep into this area.
|
| 00:21:31 | This might be somebody'sfinal resting place
right here.
|
| 00:21:43 | You've had a lot of terrifying encounters
in the hospital of
Thorne: Oh, yeah.
|
| 00:21:48 | I don't even like walking through here in
the daytime.
|
| 00:21:50 | You were in here waiting for us.
|
| 00:21:52 | Now, you were wandering around here,
and this chairwasn'there?
|
| 00:21:55 | Was not here. not here.
|
| 00:21:56 | We come out of the surgicalsuite, there it
is.
|
| 00:21:58 | Just sitting therein the middle of the hallway.
|
| 00:22:01 | This chairhas a bit of a history
of kind of moving around,but we don't have
any idea why.
|
| 00:22:08 | Well, I want to find out why.
|
| 00:22:09 | That's why we're gonna put an"x" down on
the floor right now.
|
| 00:22:14 | Look at this place. I mean, come on in here.
|
| 00:22:17 | Check this out.
|
| 00:22:18 | Look at all the random stuff in here.
|
| 00:22:20 | When you see this kind of stuff,
this is what I believe
really can add to a building's hauntings.
|
| 00:22:26 | 'Cause when you still have it look as if
..
|
| 00:22:31 | Yeah.
|
| 00:22:31 | ...As if they just put their gloves off.
|
| 00:22:34 | Aaron: That's gross.
|
| 00:22:35 | I mean, they got this stuff still sitting
here.
|
| 00:22:38 | Dude!
|
| 00:22:40 | ..
|
| 00:22:46 | Zak: For real?
|
| 00:22:48 | That is a creepy little doll.
|
| 00:22:49 | There's just so many pleasantvisuals all
around here already.
|
| 00:22:54 | This is the most frighteningpart of the hospital.
|
| 00:22:57 | This is the most frightening part of the
hospital.
|
| 00:23:03 | Yeah, basically, we walked in through this
doorway.
|
| 00:23:06 | Kirsten was in front of me.
|
| 00:23:09 | We walked through here.
|
| 00:23:09 | We were just commenting on how dismal this
room is.
|
| 00:23:13 | We started hearing this humming.
|
| 00:23:14 | And it was very loud.it was completely audible.
|
| 00:23:17 | it felt like it was right
with us.
|
| 00:23:19 | And it sounded likea little girl's voice.
|
| 00:23:20 | it goes flying
open.
|
| 00:23:23 | It opened really hard and fast and bounced
back.
|
| 00:23:25 | And there's something standing right here
--
something black, shadowy.
|
| 00:23:29 | Pretty much where he's standing.
|
| 00:23:31 | And it moves backward through us,
and at that point, we're screaming.
|
| 00:23:35 | Okay. go ahead and play it.
|
| 00:23:40 | [Women screaming]
[ humming
]
it happens -- watch -- 3:10.
|
| 00:23:48 | [Women screaming]
something wanted to connect with us very
badly
and wanted us to know that it was here.
|
| 00:24:00 | And I think it was a child.
|
| 00:24:01 | And I'm assuming that it might have had something
to do
with the surgery suite.
|
| 00:24:04 | She may have died here. she never left.
|
| 00:24:06 | it felt like, "don't
"
that's why we came back and played this here
--
so you could hear your own voice again.
|
| 00:24:15 | Did you hear that or feel that?
|
| 00:24:17 | Aaron:IT'S WEIRD. I HEARD THAT NOISE.
|
| 00:24:19 | The audio started popping.
|
| 00:24:20 | Something was right behind me.
|
| 00:24:24 | Shh. don't move.
|
| 00:24:26 | I can actually hear the audio going crazy
right now.
|
| 00:24:30 | Wait. is it dead?
|
| 00:24:32 | It just died.
|
| 00:24:33 | It just died.
|
| 00:24:34 | Oh, god. oh, god. oh, my god.
|
| 00:24:39 | Are you here with us?
|
| 00:24:41 | What the hell? oh, god.
|
| 00:24:43 | Thatis what this is about.
|
| 00:24:49 | jetta
awesome.
|
| 00:24:49 | Yeah, right now during sign then drive,
you can take home a volkswagen for just your
signature.
|
| 00:24:53 | Really? that's great. yeah.
|
| 00:24:55 | Plus, it includes scheduled carefree maintenance.
|
| 00:24:58 | Huh.
|
| 00:25:00 | Light's green.
|
| 00:25:01 | There you go.
|
| 00:25:04 | Oh, you need a pen.
|
| 00:25:06 | I had one here just a second ago.
|
| 00:25:08 | Who woul?
|
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|
| 00:25:49 | hoo!
|
| 00:25:49 | season.
|
| 00:25:50 | Yeah. we're buying gifts.
|
| 00:25:51 | people are coming
over.
|
| 00:25:53 | I want to make sure I get something for my
spending.
|
| 00:25:55 | .. they have all these
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|
| 00:25:57 | Restrictions with their rewards.
|
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|
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|
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|
| 00:28:11 | Zak: What you're about to witness
has never happenedto us before.
|
| 00:28:15 | Earlier, kirsten and layla had played back
ELECTRONIC VOICE PHENOMENAS, OR EVPs,
Of a little girl humming.
|
| 00:28:22 | [Women screaming]
Zak: While we were just outside
of linda vista hospital's surgical suite,
in the exact spot where kirsten and layla
had originally recorded the little girl,
the ghost of the little girl made a return
appearance.
|
| 00:28:37 | This is zak, aaron, nick, kirsten, and layla.
|
| 00:28:41 | Are you here with us?
|
| 00:28:42 | [ Static ]
what the hell?
|
| 00:28:47 | Oh, my god.
|
| 00:28:47 | Incredibly, the little girl
appeared to be communicating directly to
us
by distorting our camera's onboard microphones
after each question we asked her.
|
| 00:28:57 | what's your
name?
|
| 00:29:01 | [ Static ]
Aaron:DUDE, SHE KEEPS COMING ON.
|
| 00:29:04 | And all of a sudden, you ask questions,
and it goes right back to crazy.
|
| 00:29:07 | Your power? is it on?it comes back.
|
| 00:29:10 | It's gone now,but it'll come back.
|
| 00:29:11 | And when you ask a question,it, like, goes
away again --
like, no joke.
|
| 00:29:16 | I decided to play back my digital recorder
to see if the little girl had left us any
other clues.
|
| 00:29:23 | Let's in real time --
let's in real time play this.
|
| 00:29:30 | Yes, I heard that, too. there's the hum.
|
| 00:29:33 | It's at 23. 23.
|
| 00:00:01 | It is like a fun house in here,
so just be careful, guys, okay?
|
| 00:00:07 | .. ickics, gynecology?yes.
|
| 00:00:08 | Obstetrics.
|
| 00:00:11 | Obstetrics, gynecology. thank you.
|
| 00:00:14 | That is very relevant because you have captured
E.V.P.s
yes, very much,
and two of them sounded like the exact same
person.
|
| 00:00:35 | But those aren't the only encounters
adrian and his team have had here.
|
| 00:00:39 | (woman) WELL, WE WERE ACTUALLY STANDING,
session,
and I felt a cold spot come up on my right-hand
side,
and then it just seemed to move--move around
me.
|
| 00:00:47 | I was telling tina 'cause tina was standing
beside me,
and I was asking her if she could feel it.
|
| 00:00:52 | I had my hands
out. right. she was just feeling them.
|
| 00:00:56 | I was actually facing bev and tina,
so I had a good of the arm coming through,
and I could see that it wasn't bev's and
it wasn't tina's.
|
| 00:01:04 | There was a third arm in the mix.
|
| 00:01:06 | Kind of like it was gonna hug her from the
side.
|
| 00:01:08 | did it actually have
skin tone to it?
|
| 00:01:11 | It did because tina actually asked bev if
it was her arm,
and I said, "no, I'm
"
and
then right after that,
of a male voice saying,
"tina,"which is my name.
|
| 00:01:29 | That, ladies and gentlemen, is called intelligence,
and intelligent spirits bring things to a
whole new--
a whole new perspective of hauntings.
|
| 00:01:37 | By late afternoon,
the insufferable arkansas summer heat
reached well over 100 degrees,
baking fort chaffee'slong corridors with
us inside.
|
| 00:01:48 | It is hot as hell today.
|
| 00:01:50 | hot enough for
you?
|
| 00:01:53 | Man, I feel like I'm melting.
|
| 00:01:55 | like, literally,
it has to be 115 degrees in here.
|
| 00:02:00 | HE'S GONNA DIE. (bleep) IT'S HOT IN HERE,
Bro.
|
| 00:02:04 | IT'S (bleep) HOT IN HERE.(laughs)
Seriously, 115 degrees.
|
| 00:02:07 | (Zak) AARON, I WANT A TEMPERATURE GAUGE
Just so people don't think we're whining.
|
| 00:02:11 | If there's one thing that we don',
it's bitch about things,
but I will tell you, this is borderline--
should we cancel this investigation?
|
| 00:02:25 | okay, so--
we only have about 30,000 acres left to cover.
|
| 00:02:31 | 127 More buildings, don't we, zak?
|
| 00:02:32 | Okay, we are actually experiencing what it's
like
to be inside of a hot box,
and, no, I'm not gonna stop bitching about
the heat.
|
| 00:02:40 | I'm about to die of heat exhaustion.
|
| 00:02:42 | Okay, I want to do something real quick.
|
| 00:02:44 | I'm gonna do a live e.v.p. session here.
|
| 00:02:46 | check, one,
two.
|
| 00:02:47 | Check, one, two. check, one, two.
|
| 00:02:49 | You bring some ice for me and help me?
|
| 00:02:52 | We are really, really, really hot.
|
| 00:02:54 | Man, I've never felt this before, all this,
IT'S LIKE, OH, LOOK AT THAT. (Zak) I KNOW.
|
| 00:02:58 | I've never--dude, I've never sweated like
this before.
|
| 00:03:01 | IT IS-- (Adrian) WELCOME TO ARKANSAS.
|
| 00:03:05 | Wow.screw arkansas.
|
| 00:03:10 | We had to save what was leftof our energy
for the lockdown,
so we took a trolley ride through historic
FORT SMITH. (bell clangs)
how are you doing,
man?
|
| 00:03:24 | No air condition in here?no.
|
| 00:03:28 | I'm zak.
|
| 00:03:30 | How you doing, man?
|
| 00:03:31 | (wheels squealing)
We got--
you got to keep them oiled?
|
| 00:03:48 | (speaking with thick accent)
Okay.
|
| 00:03:56 | We gotta changetrolley poles.
|
| 00:03:58 | (Zak) OH, WE GOT TO CHANGE TROLLEY POLES.
|
| 00:04:00 | It's nice whenwe start moving.
|
| 00:04:02 | We get that nicelittle breeze in here.
|
| 00:04:12 | I can't hear a word he's saying. yep.
|
| 00:04:16 | What's that, john?
|
| 00:04:21 | WHAT'D HE SAY? (Nick) WHAT ON YOUR VCR?
|
| 00:04:23 | I HAVEN'T HEARD ONE WORDJOHN SAID YET. (laughs)
John, you know any songs we can sing?
|
| 00:04:29 | Let's sing a song.
|
| 00:04:30 | (all) ♪♪ I'VE BEEN WORKING ON A RAILROAD
♪♪
|
| 00:04:33 | ♪♪ all the live long day ♪♪
|
| 00:04:36 | ♪♪ I've been working on the railroad ♪♪
|
| 00:04:40 | ♪♪ just to pass the time away ♪♪
|
| 00:04:44 | (laughs)
(laughs) ALL RIGHT, JOHN,GIVE ME A HIGH FIVE.
|
| 00:04:49 | John's my boy!
|
| 00:04:51 | That was a fun trolley ride,
although I didn't understand one word.
|
| 00:05:00 | Someone knows we're here.
|
| 00:05:03 | OH, MY GOD.(Nick) I HEARD IT. I HEARD IT.
|
| 00:05:06 | I want to know if we can coexist
with different dimensions in the same place.
|
| 00:05:09 | We could be sitting on oneof the most haunted
areas ever.
|
| 00:05:49 | theangou
france
this is what distinguishesthe pears we use
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|
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|
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|
| 00:06:05 | calling
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|
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|
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my reward points for a gift card.
|
| 00:06:09 | Tell points please?
|
| 00:06:11 | 250,000.
|
| 00:06:12 | ..
|
| 00:06:13 | Ooh!
|
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|
| 00:06:17 | !
|
| 00:06:18 | 5 Dollar, 50 cents.
|
| 00:06:20 | Minus redeeming charge. leaving 50 cents.
|
| 00:06:21 | Say what?
|
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|
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|
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|
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|
| 00:09:21 | All right-- ooh,
the thunder creating a really nice environment
here.it is.
|
| 00:09:26 | Again, thank you very much for allowing us
to be locked down
in your 12,000 acres of haunted creepiness.
|
| 00:09:33 | , we're gonna be
locked out of this gate,and we're gonna be
transported
over to where the cuban refugee prison camp
area was,
and that's gonna be our second part of the
lockdown.
|
| 00:09:45 | So with that said, it's getting dark.
|
| 00:09:47 | Are you ready to lock us in here?i am.
|
| 00:09:49 | Ivy, thank you very much, sir.thank you.
|
| 00:09:50 | And hopefully, we will be at this gate at
1:00 a.m.
|
| 00:09:53 | AND HOPEFULLY NOT EATEN UP BY SASQUATCH.(laughs)
While this gate looks easy to jump over,
you got to remember, half this base is still
active,
so it probably wouldn't be a good idea to
jump over
no,
I wouldn't think so.
|
| 00:10:07 | We'd probably get pelted in the head by some
lead, huh?you would.
|
| 00:10:11 | Not a good thing. ivy, thank you, sir.
|
| 00:10:13 | Thank you. let's go have some fun, boys.
|
| 00:10:20 | All right, you ready for this one?
|
| 00:10:21 | good
thing I'm in shape.
|
| 00:10:23 | you're ready
for this one.i'm ready for this one.
|
| 00:10:27 | I can walk the whole thing, no prob.
|
| 00:10:29 | With all the sweatand this walking,
we'll lose a couple pounds.
|
| 00:10:36 | OKAY, SO WE GOT FIVE "X"s HERE,
And we could only find one paranormal group
that has investigated this entire location.
|
| 00:10:42 | WITH THAT, WE'VE PLACED OUR "X"s IN SOME
Of the hot spots
where they captured their best evidence.
|
| 00:10:47 | The first "x" is in the lab.
|
| 00:10:49 | That's where they captured that arm
going around that lady,
and two other ladies in the group witnessed
it.
|
| 00:10:55 | So we'll see if that arm can grab aaron around
his waist.
|
| 00:10:57 | The next "x" over here at ob/gyn,
they captured voices that said, "can you
"
but what was really weird and relevant about
it
is that it was a female voice.
|
| 00:11:06 | I don't
think so.
|
| 00:11:11 | THE NEXT TWO "X"s ARE OVER HERE.
|
| 00:11:12 | They said that they saw a lot of shadow people
.."get
"
"
you ready for this?jeez, yeah.let's do it.
|
| 00:11:21 | Turn this light off. we got work to do.
|
| 00:11:23 | We were told that you could investigate this
place
a hundred t times
and wind up in a hundred different areas
because these creepy old buildings are connected
by miles and miles of aboveground tunnels.
|
| 00:11:35 | It literally felt as if we were in the video
"
I'm also wearing a protective face mask
because of the high level of contaminants
WITHIN THESE OLD ABANDONED STRUCTURES.(Nick)
Pull out the map.
|
| 00:11:47 | 3715.
|
| 00:11:49 | We still have another door to go through.
|
| 00:11:57 | Recording.
|
| 00:11:59 | Zak, nick, aaron. building 3713.
|
| 00:12:05 | TOCAPTURE E.V.P.s OR SPIRITSTHAT SPEAK WITHIN
White noise.
|
| 00:12:09 | Where are you from?
|
| 00:12:13 | OH, MY GOD.(Aaron) I HEARD IT. I HEARD IT.
|
| 00:12:15 | Shh, shh, shh. I heard it.
|
| 00:12:17 | Where are you from?
|
| 00:12:27 | Oh, my god.
|
| 00:12:28 | It sounded like old music to me, like from
THE '40s OR '50s.
|
| 00:12:32 | That's exactly what I heard.
|
| 00:12:34 | Are you singing?
|
| 00:12:45 | Are you singing?
|
| 00:12:53 | WHAT THE (bleep)? IT SOUNDED LIKE A RECORD
Player.
|
| 00:12:56 | some world war
..
|
| 00:12:59 | you know, that they played back then
in these barracks or whatever.
|
| 00:13:03 | Is it a sunny day out right now?
|
| 00:13:05 | I'm asking that 'cause I want to know
what this is all looking like to them.
|
| 00:13:10 | Maybe it's a sunny summer day right now for
them,
and there's people all in here,
music, record players.
|
| 00:13:17 | I want to know if we can coexist
ensions in the same place
or in the same spot, different time.
|
| 00:13:26 | Someone knows we're here.
|
| 00:13:32 | Who's down there?
|
| 00:13:34 | We decided to set up an "x" camera and move
on.
|
| 00:13:38 | Long
with the unexplained record music we were
hearing,
this camera captured over a minute of what
we believe
to be residual work sounds.
|
| 00:13:51 | (tapping)
(clatter)
(clang)
(Zak muffled) ALL THE WHILE WE'VE BEEN IN
..
|
| 00:14:04 | (indistinct mumbling)
Subtitles--zak said,
"we're inobg wan kenobi's hut.
|
| 00:14:14 | We're looking for the voices that are still
left here. ob/gyn.
|
| 00:14:18 | That's ga--ob-- obstitrics--
.. ickics.obstetrics.
|
| 00:14:23 | Obstetrics, gynecology. thank you.
|
| 00:14:26 | That's a women parts doctor.
|
| 00:14:30 | ..
|
| 00:14:31 | Right now we're in the ob/gyn building,
and this is where we found out earlier
from that group we interviewed that
hang on, I just
got a ball of light going to your chest
and then disappear.
|
| 00:14:43 | Into my chest? yep.
|
| 00:14:44 | yeah, there's like
this-- it was like a glowing ball.
|
| 00:14:48 | Aaron just captured this unexplained light
anom
that appears to manifest, then gather enough
energy
to make contact with my chest, where it abruptly
vanishes.
|
| 00:14:58 | We confirmed it was not a bug because as
you can see here,
bugs are easily identifiable,
as they will enter and leave frame with visible
wings.
|
| 00:15:06 | Also, right when the anomaly vanishes in
front of me,
I felt this very strange chill.
|
| 00:15:13 | You got to remember,
there's only been one paranormal group
that has investigated this before us.
|
| 00:15:18 | We could be sitting in one of the most haunted
areas ever.
|
| 00:15:23 | All right, inmates! come out of your cells!
|
| 00:15:27 | (bang)
(coughing)
Who's out there?
|
| 00:16:11 | ]
glass
to raising oranges the natural way.
|
| 00:16:13 | Here's to growing oranges on our own soil
--
never importing them.
|
| 00:16:18 | Here's to orange juice raised right.
|
| 00:16:20 | The only majororange juice brand
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|
| 00:16:57 | >> ( crereure inhahang )
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>> ( horor nickeriri )
>> ( trara whistlelelowing ) )
( engininrevving g
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|
| 00:17:21 | Take a aantage o oexceptioiol
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|
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|
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|
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|
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|
| 00:18:41 | healthy makes it happe
where the voices of long-deceased patients
have been captured.
|
| 00:19:10 | What is it like over on that side?
|
| 00:19:13 | Can you tell me?
|
| 00:19:14 | I began asking questions to see if the spirits
were in our time
or still stuck in the time when they died.
|
| 00:19:27 | oh, just got a shiver going down
my back
like somebody came up to me and put their
hand on my back.
|
| 00:19:34 | I wanted to see if a spirit had just come
up to me
in an attempt to communicate,
so I played back the recorder in real time
TO SEE IF ANY E.V.P.s WERE CAPTURED SECONDS
Ago.
|
| 00:19:45 | (Zak) IS YOUR HUSBAND AT WAR?
|
| 00:20:17 | Is spirit recalling our presence
from earlier that day?
|
| 00:20:21 | You were talking to me.
|
| 00:20:23 | I appreciate that. I really do.
|
| 00:20:30 | We now begin investigating abandoned buildings
where once mentally deranged patients were
housed.
|
| 00:20:38 | Earlier, we learned that this is an area
where spirits don't welcome the living.
|
| 00:20:42 | On one investigation,i was leaving the building
and just as we psed this door here,
"
right now we have an "x" camera rolling over
there,
a digital recorder taped to the door right
here.
|
| 00:20:54 | We're all gonna split up and go in separate
jail cells,
make ourselves less intimidating for the
spirits.
|
| 00:21:00 | SO, AARON?(Aaron) YEAH.
|
| 00:21:02 | Where are you?over here.
|
| 00:21:03 | want me to take--
just to show youhow dark it is.
|
| 00:21:07 | That's what we see. aaron? yeah. right here.
|
| 00:21:09 | just
so you know where I'm at.
|
| 00:21:14 | Okay. aaron? yes.
|
| 00:21:15 | OKAY. (Nick) THAT WAS REALLY WEIRD FROM MY
Perspective right now.
|
| 00:21:18 | (laughs) OKAY, THIS IS THE CELLRIGHT HERE
Where they heard
so, aaron-- oh!
|
| 00:21:26 | Aaron, come on-- sorry, dude. oh, wait.
|
| 00:21:27 | you nailed me in the eye like
you did with nick.
|
| 00:21:31 | At least it's not me this time.
|
| 00:21:33 | Is your mask on? no.
|
| 00:21:35 | OH! (Aaron laughs)
Nick, you all right?
|
| 00:21:38 | So, aaron, stay in that cell by yourself.
|
| 00:21:41 | (Nick) DID YOU JUST LOCK--
I don't know how he's getting out now.
|
| 00:21:46 | Oh, god. is it?
|
| 00:21:48 | Yeah. are you serious?
|
| 00:21:50 | YEAH, DUDE.(Nick) YEAH, IT'S LOCKED.
|
| 00:21:52 | OH, (bleep)
Let me kick it open. hang on.
|
| 00:21:57 | (bang) JESUS.
|
| 00:21:59 | (coughing)
Well, that was smart.
|
| 00:22:03 | (coughs) NOT SMART!
|
| 00:22:06 | (groans) THAT WAS A BAD IDEA.
|
| 00:22:09 | All right, where you going?
|
| 00:22:11 | (coughing)
All right, there's more jail cells down here.
|
| 00:22:16 | I'll just goin one of them.
|
| 00:22:18 | now I've inhaled so much dust,
been poked in the eye.
|
| 00:22:21 | I'm as weak as a man can be right now,
so if you want anything,
I don't think I can fight you.
|
| 00:22:30 | All right, inmates!
|
| 00:22:33 | Come out of your cells!
|
| 00:22:38 | At this exact moment, our digital recorder
,
and it sounds like a spirit talking about
us
to another spirit.
|
| 00:22:47 | All right, inmates! come out of your cells!
|
| 00:22:55 | Ike them in your cell,
because I heard that's where you screamed
"
aaron can't get out of your cell,
so I want to know what the next step is.
|
| 00:23:08 | Hey, zak?yeah.
|
| 00:23:11 | I'm hearing someone banging on the walls,
walking up towards aaron-- outside.
|
| 00:23:17 | Be careful, guys.
|
| 00:23:23 | (low thuds)
Zak! come here.
|
| 00:23:32 | Come here quick.whoa, whoa, whoa! whoa!
|
| 00:23:35 | I just heard a guy's voice
over here, nick!
|
| 00:23:40 | What's wrong?
|
| 00:23:45 | Come here quick.whoa, whoa, whoa! whoa!
|
| 00:23:55 | Zak! nick!
|
| 00:23:57 | This whole areathis is full-- dudes?
|
| 00:24:02 | What's wrong? what happened?nothing.
|
| 00:24:04 | I thought you guys left,so I got out of there.
|
| 00:24:06 | Something just banged against the wall.
|
| 00:24:12 | Ooh.what was that?
|
| 00:24:14 | Shh, shh. that's what I'm saying.
|
| 00:24:17 | (light thumping)
because many of these structures
are open to outside elements,
we couldn't validate whether this was an
unexplained voice
from a spirit or contamination from an animal,
but what we captured next were clearly spoken
words
from within these walls.
|
| 00:24:39 | !
|
| 00:24:43 | !
|
| 00:24:52 | We're gonna use you in this investigation,
hopefully to try and lure some of the spirits
out.
|
| 00:24:56 | You want to say something to lynn here,
the prison guard?
|
| 00:24:59 | is this the
house of hell?
|
| 00:25:38 | mom,
I worry about my son playing football.
|
| 00:25:40 | Which is why I'm really excited.
|
| 00:25:41 | Because toyota developed this software
that can simulate head injuries in an accident
and helps make people safer.
|
| 00:25:48 | Then they shared this technology with researchers
at wake forest
to help reduce head injuries on the football
field.
|
| 00:25:55 | So, you know, I can feel a bit better
about my son playing football.
|
| 00:25:57 | [ Male Announcer ] HOW WOULD YOU USE TOYO
Technology
to make a better world?
|
| 00:26:02 | Learn how to share your ideas
at toyota.com/ideasforgood.
|
| 00:26:23 | different
exercise,
but basically, I'm a runner.
|
| 00:26:28 | Last year. (Oof).
|
| 00:26:29 | I had a bum knee that needed surgery.
|
| 00:26:31 | But it got compliced, because I had an old
injury.
|
| 00:26:35 | So I wanted a doctor who had done this before.
|
| 00:26:38 | And UnitedHealthcare's database
helped me find a surgeon.
|
| 00:26:41 | You know you can't have great legs,
if you don't have good knees.
|
| 00:26:45 | We're 78,000 people
looking out for 70 millionAmericans.
|
| 00:26:49 | That's health in numbers.
|
| 00:26:51 | UnitedHealthcare.
|
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